Saturday, January 24, 2015

The Shasta Caper, Chapter Forty-Five is now posted.



Chapter Forty-Five

Methusaleh sat back down and motioned for Sam and his friends to sit again. Which they did. Nanny couldn't hide her excitement though. "Wait until I tell my Ranger friends I met the biblical giant."

"Yeah. Literally a giant." Jimbo quipped.

Methusaleh leaned forward. "It is my understanding that you seek someone in our kingdom?"

"That's true." Samuel answered. He stood back up and went to the table. 

The other giants watched him with interest.

Even Jimbo could see a slight nimbus of color about Samuel's body now. The air of the inner realm was so pure that even auras could be seen by those who were pure of heart, if not of spiritual sight.
"She is the mother of this girl with us."

Nanny jumped up to protest. "I am...not...a...girl!"

Methusaleh laughed, as did the other giants.

She bawled her right hand into a fist. Jimbo snagged her and dragged her back down. "You out of your mind!"

The giants laughed again, but kindly. Nanny now realized that they were laughing at her character, and not  her ignorance, which she now realized she had displayed in aces and spades a few seconds ago. "Sorry." She squeaked.

"I know, dear heart." Methusaleh said to her. "I am proud of you. Few would be so quick to admit they've made a mistake. You remind me much of your mother."

Nanny popped to her feet again. "You knew my mother?"

"Know your mother."

"Know? Then she's alive?"

The other giants exchanged glances with Methusaleh. They were communicating mind to mind over whether to reveal all they knew or not. Finally, Methusaleh overrode their concerns.

"She needs to know, my brothers and sisters."

The Council settled down again and Methusaleh leaned closer to Samuel. "She has been taken."

"By the ones with the flying ships?"

"By Saran, to be specific. You've met him."

"Unfortunately." Samuel replied. "He didn't quite make the angelic status he purported to be."

"No, he has not."

Jimbo stood up. "Sir, if you don't mind my barging in...."

"Would it make any difference if I did, Jim?" Methusaleh replied.

Jimbo blushed. "Uh. No."

The giants all laughed.

"Very well, speak."

"Why do you let those low down conniving, stinking sonuva bitches live down here?"

"Would you rather they escaped to the surface?" Methusaleh asked.

Jimbo sat back down, dumbfounded.

Samuel looked at his friend. "Not all prisons have bars, Jimbo."

"Evidently." Jimbo sighed. "All this spiritual stuff is giving me a headache again."

Nanny grabbed her backpack to open it. "I've got some ibuprofen."

"Not that kind of headache." Jimbo told her gently.

"Oh. But if you need some."

Jimbo put a hand over hers. "I'll be sure to tell you."

Nanny smiled back.

Methusaleh approved of the exchange with the look on his face, then turned to face Samuel again.
"So you see, you have a slight problem."

Samuel looked over at Al, who was shaking his head.

Methusaleh looked over at Al. "Would you stop doing that, it's making me dizzy!"

Al gave Methusaleh a surprised look.

Methusaleh chuckled. "Angels have been my friends since...well...forever."

Al sighed, then sat down next to M, who was humming a sweet showtune to herself.

"The trouble with some angels is that they think they know everything." Methusaleh went on. "When in fact nothing is that solid in life or in heave. Men and women change. Their thoughts change by the second. Any moment they can go from being a saint to a devil or back again."

Samuel nodded. "Ain't that the truth."

Methusaleh put his hand on Samuel's head and gently held it there.

"Now close your eyes. I am going to show you something."

Jimbo and Nanny held their breath as Samuel closed his eyes.

"Wham for sure." Jimbo muttered uneasily.

Samuel finally touched Methusaleh's hand and he removed it.

"I understand, honored sir."

Methusaleh looked at the others. "Will you help Samuel complete this mission."

"I must find my mother!" Nanny blurted out, her lower lip quivering as she almost broke into tears.

Jimbo stood up. "I would never abandon my friend."

Methusaleh smiled at him. "One day you and I will do great things, Sam."

"I don't intend to kick off the old shoes any time soon, sir, so I hope you're patient."

Methusaleh and the other giants burst into laughter, at the same time as the entire room became filled with a brilliant white light, soaking into every pore and cell of their bodies.

One moment they were in a meeting room, the next they were on the ledge landing platform again, with the Nazis descending rapidly towards them, firing their weapons.

"Oh crap!" Jimbo cried out, pulling Samuel and Nanny back from the edge as bullets raked it.
Posted by No comments:

The Adventures of Captain Marvel, Chapter Twelve is now posted.




It is with the deepest of regret that I end this series. No more were made and this was Captain Marvel's only foray into film, though I keep hearing rumors of a new Captain Marvel in the works.

Enjoy

--John--


From Wikipedia, the free encyclopedia

Adventures of Captain Marvel
AdvCptMarvel.jpg
Original theatrical poster for Adventures of Captain Marvel Episode 10: "Doom Ship"
Directed byWilliam Witney
John English
Produced byHiram S. Brown, Jr.
Screenplay byRonald Davidson
Norman S. Hall
Arch B. Heath
Joseph Poland
Sol Shor
Based onCharacters
by Bill Parker
C. C. Beck
StarringTom Tyler
Frank Coghlan, Jr.
William Benedict
Louise Currie
Robert Strange
Harry Worth
Bryant Washburn
John Davidson
Music byCy Feuer
CinematographyWilliam Nobles
Distributed byRepublic Pictures
Release dates
  • March 28, 1941
[1]
Running time
12 chapters / 216 minutes[1]
CountryUnited States
LanguageEnglish
Budget$135,553 (negative cost: $119,343)[1]
Adventures of Captain Marvel is a 1941 twelve-chapter Republic Pictures film serial directed by John English and William Witney, adapted from the popular Captain Marvel comic book character then appearing in Fawcett Comics publications such as Whiz Comics and Captain Marvel Adventures. It starred Tom Tyler in the title role of Captain Marvel and Frank Coghlan, Jr. as his alter ego, Billy Batson.
This serial was the twenty-first of the sixty-six serials produced by Republic and their first comic book adaptation, not counting comic strips. The serial featured an adaptation of the Fawcett Comics superhero, placed within an original story. He fights a masked criminal mastermind called The Scorpion who is determined to gain control of a powerful ray weapon, which takes the form of a large metallic scorpion with removable lenses that must be aligned in order to activate the ray.

Plot[edit]

During an archaeological expedition to Siam, the power of the Golden Scorpion allows young radio broadcaster Billy Batson to meet the ancient wizard Shazam, who grants him the power to become Captain Marvel and protect those who may be in danger from the Scorpion's curse.
The lenses from the Golden Scorpion are divided among five scientists of the Malcolm Archaeological Expedition. A black-hooded villain known as the Scorpion attempts to acquire all of the lenses and the Scorpion device. Several expedition members are killed in the Scorpion's quest despite Captain Marvel's continual efforts to thwart him. Deducing that the Scorpion always seems to know what goes on at all the meetings with the scientists, Billy later confides his suspicions to his friends, Betty Wallace and Whitey Murphy, that the Scorpion might be one of the archaeological team.
The Scorpion later discovers the connection between Billy and Captain Marvel. After capturing him, the Scorpion interrogates Billy for the secret. Billy transforms into Captain Marvel and reveals the Scorpion to be one of the last surviving scientists, who is then killed by an angry Siamese native. Captain Marvel tosses the scorpion statue into a volcano's molten lava to prevent it from ever being used for evil. Once it is destroyed, Captain Marvel is instantly transformed back into Billy Batson as there is no longer any need for a protector for the scorpion.

Cast[edit]

Production[edit]

Adventures of Captain Marvel was budgeted at $135,553 although the final negative cost was $145,588 (a $10,035, or 7.4%, overspend).[1] It was filmed between December 23, 1940 and January 30, 1941 under the working title Captain Marvel.[1] The serial's production number was 1098.[1]
The serial was an outgrowth of Republic's failed attempt at a chapterplay to feature National Periodical Publications (today DC Comics)'s Superman, the script for which had become the studio's Mysterious Doctor Satan. The film company approached Fawcett Comics for their most popular character, and that publishing house did not refuse. Director William Witney was, however, skeptical about trying to film Captain Marvel after the problems with Superman.[2] As a result, Adventures of Captain Marvel became the first superhero film adaptation of a comic book.[3][4]
National attempted legal action to prevent the filming, citing the previous attempt at a Superman serial, but was unsuccessful. Writing in his autobiography of the period, William Witney revealed that in his deposition he had claimed that both Superman and Captain Marvel were derivatives of Popeye.[2] About a decade later, following a legal battle with National and a declining market, Fawcett ceased publication of all its comic series. In the 1970s, the Captain Marvel family of characters was licensed and revived (and ultimately purchased) by DC Comics.
The opening military scenes are taken from a 1938 Republic Pictures film Storm Over Bengal.

Casting[edit]

Republic cast Frank Coghlan as Billy Batson due to his physical resemblance to the character.[5] However, there was some criticism that Tom Tyler did not sufficiently resemble the "beefy, baby-faced Captain Marvel."[5] At the time, Tyler was a weightlifting champion and the costume matched Captain Marvel's original appearance, even down to slenderness. The appearance of the comic version had changed by this time, however.[6]
Tyler, who was described as clumsy, knocked over props with his "lanky arms". Punches in fight scenes would sometimes connect.[6]
Due to his performance in King of the Royal Mounted, Robert Strange as John Malcolm was the choice as the villain in this serial; however, in the end he was not actually the villain.[7]

Special effects[edit]


Example of flying effects.
The flying effects were performed with a dummy. The dummy was slightly larger than life, at 7 feet tall, and made of paper mâché so that it weighed only 15 lbs. The uniform was made of thin silk and a cotton jersey. Four pulleys connected to each shoulder and calf, which were strung on two wires so the dummy moved along them by its own weight. The wires were attached to two objects across the view of the camera, and the dummy slid from one to the other, giving the appearance of flight. This system was originally intended for a Superman serial, a prototype of which was built but discarded.[6] The flying pose used for the dummy, arms outstretched and back arched, was based on drawing by Mac Raboy.[6] If Captain Marvel needed to be seen flying upwards, the cape was weighted down and the dummy slid backwards. The film of this was then reversed.[6]
Dave Sharpe was the human part of the effect. Dressed as Captain Marvel, he would leap from a high point with his body straight, as if able to fly, then roll to land at the last second. The combination of effects and stunts produced the overall illusion of a flying person. Sharpe also performed other stunts as Captain Marvel, such as back flipping and knocking down attacking natives in the first chapter.[6] Some shots of Captain Marvel flying were filmed with Tyler against rear projected clouds. However, some of these scenes show the wires used to hold him up.[6]
According to Stedman, the flight scenes were "the most successful illusion of such aerobatics ever put upon the screen, in serial or feature."[8]
The technique had been developed in the earlier serial Darkest Africa (1936) and was later used again in the "Rocket Man" serials (King of the Rocket Men, Radar Men from the Moon,Zombies of the Stratosphere and Commando Cody: Sky Marshal of the Universe) released during 1949-1953.
The much cheaper Columbia Pictures Superman serials which appeared in the late 1940s used animated cartoon sequences to represent various actions, most frequently Superman's flights (Columbia produced the cheapest serials of the period and producer Sam Katzman was notorious for cutting costs).

Costume[edit]

One of the tunics later appeared as the costume of a member of the Kryptonian science counsel in the first episode of The Adventures of Superman television show, filmed in 1951.[9] The lightning bolt on the tunic is partially concealed by means of an oversized collar around the actor's neck.
After the usage in Episode 1 of Superman, two Captain Marvel tunics were sported by actors in early episodes of the original U.S. version of the pioneering TV series Space Patrol. Very soon into the series, however, the Marvel tunics were replaced by shirts custom made for the series.
At The Science Fiction Museum and Hall of Fame in Seattle, Washington, one of the remaining Captain Marvel tunics has been on public display.[10]

Release[edit]

Theatrical[edit]

Adventures of Captain Marvel '​s official release date was March 28, 1941, although this is actually the date the sixth chapter was made available to film exchanges.[1] The serial was re-released on April 15, 1953 under the title Return of Captain Marvel, between the first runs of Jungle Drums of Africa and Canadian Mounties vs. Atomic Invaders.[1] Due to the 'nostalgia' craze in the spring of 1966 resulting from the hit Batman TV show, the serial was re-released as a 4-hour movie compiling all 12 chapters.

Home media[edit]

Republic Pictures released the serial as a two-tape VHS set in 1995. The serial was released on DVD in 2003.

Critical reception[edit]

Harmon and Glut claim that Adventures of Captain Marvel is "unquestionably one of the finest movie serials ever made, possible the best with the exception of the three Flash Gordon epics."[6] Cline describes this as one of the most outstanding of all serials[11] and Republic's "masterpiece."[7] He writes that Tyler's "striking performance...remains in thousands of minds as the most memorable serial hero of all time - bar none."[12]

Influence[edit]

The characters of Betty Wallace, Whitey Murphy, and John Malcolm all appeared in the Fawcett comics in the 1940s starting with "Capt. Marvel And The Temple Of Itzalotahui"‏ (Whiz Comics #22, Oct. 3, 1941) featuring Murphy and Malcolm;[13] Murphy made several appearances in the 1970s DC Comics incarnation of Captain Marvel.[14]
Fawcett also published a sequel to the film in 1941. Titled The Return of the Scorpion, it was one of the four releases in its Dime Action Books series which imitated the format of the popular Big Little Books. The book is notable for reusing several characters from the movie and for being Otto Binder's first writing assignment at Fawcett; he went on to being a prolific scripter for the company.
In 1994, comic book writer/artist Jerry Ordway wrote and painted a graphic novel, The Power of Shazam!, and an ongoing comic book series spin-off which ran from 1995 to 1999. Ordway used the Republic serial as his initial inspiration in his handling of the Captain Marvel characters.[15]

Chapters[edit]

  1. "Curse of the Scorpion" (30 min.)
  2. "The Guillotine" (16 min.)
  3. "Time Bomb" (17 min.)
  4. "Death Takes the Wheel" (16 min.)
  5. "The Scorpion Strikes" (16 min.)
  6. "Lens of Death" (16 min.)
  7. "Human Targets" (17 min.)
  8. "Boomerang" (17 min.)
  9. "Dead Man's Trap" (16 min.)
  10. "Doom Ship" (16 min.)
  11. "Valley of Death" (16 min.)
  12. "Captain Marvel's Secret" (16 min.)
Source:[1][16]
Posted by No comments:
Subscribe to: Posts (Atom)