Saturday, January 24, 2015

The Adventures of Captain Marvel, Chapter Twelve is now posted.




It is with the deepest of regret that I end this series. No more were made and this was Captain Marvel's only foray into film, though I keep hearing rumors of a new Captain Marvel in the works.

Enjoy

--John--


From Wikipedia, the free encyclopedia

Adventures of Captain Marvel
AdvCptMarvel.jpg
Original theatrical poster for Adventures of Captain Marvel Episode 10: "Doom Ship"
Directed byWilliam Witney
John English
Produced byHiram S. Brown, Jr.
Screenplay byRonald Davidson
Norman S. Hall
Arch B. Heath
Joseph Poland
Sol Shor
Based onCharacters
by Bill Parker
C. C. Beck
StarringTom Tyler
Frank Coghlan, Jr.
William Benedict
Louise Currie
Robert Strange
Harry Worth
Bryant Washburn
John Davidson
Music byCy Feuer
CinematographyWilliam Nobles
Distributed byRepublic Pictures
Release dates
  • March 28, 1941
[1]
Running time
12 chapters / 216 minutes[1]
CountryUnited States
LanguageEnglish
Budget$135,553 (negative cost: $119,343)[1]
Adventures of Captain Marvel is a 1941 twelve-chapter Republic Pictures film serial directed by John English and William Witney, adapted from the popular Captain Marvel comic book character then appearing in Fawcett Comics publications such as Whiz Comics and Captain Marvel Adventures. It starred Tom Tyler in the title role of Captain Marvel and Frank Coghlan, Jr. as his alter ego, Billy Batson.
This serial was the twenty-first of the sixty-six serials produced by Republic and their first comic book adaptation, not counting comic strips. The serial featured an adaptation of the Fawcett Comics superhero, placed within an original story. He fights a masked criminal mastermind called The Scorpion who is determined to gain control of a powerful ray weapon, which takes the form of a large metallic scorpion with removable lenses that must be aligned in order to activate the ray.

Plot[edit]

During an archaeological expedition to Siam, the power of the Golden Scorpion allows young radio broadcaster Billy Batson to meet the ancient wizard Shazam, who grants him the power to become Captain Marvel and protect those who may be in danger from the Scorpion's curse.
The lenses from the Golden Scorpion are divided among five scientists of the Malcolm Archaeological Expedition. A black-hooded villain known as the Scorpion attempts to acquire all of the lenses and the Scorpion device. Several expedition members are killed in the Scorpion's quest despite Captain Marvel's continual efforts to thwart him. Deducing that the Scorpion always seems to know what goes on at all the meetings with the scientists, Billy later confides his suspicions to his friends, Betty Wallace and Whitey Murphy, that the Scorpion might be one of the archaeological team.
The Scorpion later discovers the connection between Billy and Captain Marvel. After capturing him, the Scorpion interrogates Billy for the secret. Billy transforms into Captain Marvel and reveals the Scorpion to be one of the last surviving scientists, who is then killed by an angry Siamese native. Captain Marvel tosses the scorpion statue into a volcano's molten lava to prevent it from ever being used for evil. Once it is destroyed, Captain Marvel is instantly transformed back into Billy Batson as there is no longer any need for a protector for the scorpion.

Cast[edit]

Production[edit]

Adventures of Captain Marvel was budgeted at $135,553 although the final negative cost was $145,588 (a $10,035, or 7.4%, overspend).[1] It was filmed between December 23, 1940 and January 30, 1941 under the working title Captain Marvel.[1] The serial's production number was 1098.[1]
The serial was an outgrowth of Republic's failed attempt at a chapterplay to feature National Periodical Publications (today DC Comics)'s Superman, the script for which had become the studio's Mysterious Doctor Satan. The film company approached Fawcett Comics for their most popular character, and that publishing house did not refuse. Director William Witney was, however, skeptical about trying to film Captain Marvel after the problems with Superman.[2] As a result, Adventures of Captain Marvel became the first superhero film adaptation of a comic book.[3][4]
National attempted legal action to prevent the filming, citing the previous attempt at a Superman serial, but was unsuccessful. Writing in his autobiography of the period, William Witney revealed that in his deposition he had claimed that both Superman and Captain Marvel were derivatives of Popeye.[2] About a decade later, following a legal battle with National and a declining market, Fawcett ceased publication of all its comic series. In the 1970s, the Captain Marvel family of characters was licensed and revived (and ultimately purchased) by DC Comics.
The opening military scenes are taken from a 1938 Republic Pictures film Storm Over Bengal.

Casting[edit]

Republic cast Frank Coghlan as Billy Batson due to his physical resemblance to the character.[5] However, there was some criticism that Tom Tyler did not sufficiently resemble the "beefy, baby-faced Captain Marvel."[5] At the time, Tyler was a weightlifting champion and the costume matched Captain Marvel's original appearance, even down to slenderness. The appearance of the comic version had changed by this time, however.[6]
Tyler, who was described as clumsy, knocked over props with his "lanky arms". Punches in fight scenes would sometimes connect.[6]
Due to his performance in King of the Royal Mounted, Robert Strange as John Malcolm was the choice as the villain in this serial; however, in the end he was not actually the villain.[7]

Special effects[edit]


Example of flying effects.
The flying effects were performed with a dummy. The dummy was slightly larger than life, at 7 feet tall, and made of paper mâché so that it weighed only 15 lbs. The uniform was made of thin silk and a cotton jersey. Four pulleys connected to each shoulder and calf, which were strung on two wires so the dummy moved along them by its own weight. The wires were attached to two objects across the view of the camera, and the dummy slid from one to the other, giving the appearance of flight. This system was originally intended for a Superman serial, a prototype of which was built but discarded.[6] The flying pose used for the dummy, arms outstretched and back arched, was based on drawing by Mac Raboy.[6] If Captain Marvel needed to be seen flying upwards, the cape was weighted down and the dummy slid backwards. The film of this was then reversed.[6]
Dave Sharpe was the human part of the effect. Dressed as Captain Marvel, he would leap from a high point with his body straight, as if able to fly, then roll to land at the last second. The combination of effects and stunts produced the overall illusion of a flying person. Sharpe also performed other stunts as Captain Marvel, such as back flipping and knocking down attacking natives in the first chapter.[6] Some shots of Captain Marvel flying were filmed with Tyler against rear projected clouds. However, some of these scenes show the wires used to hold him up.[6]
According to Stedman, the flight scenes were "the most successful illusion of such aerobatics ever put upon the screen, in serial or feature."[8]
The technique had been developed in the earlier serial Darkest Africa (1936) and was later used again in the "Rocket Man" serials (King of the Rocket Men, Radar Men from the Moon,Zombies of the Stratosphere and Commando Cody: Sky Marshal of the Universe) released during 1949-1953.
The much cheaper Columbia Pictures Superman serials which appeared in the late 1940s used animated cartoon sequences to represent various actions, most frequently Superman's flights (Columbia produced the cheapest serials of the period and producer Sam Katzman was notorious for cutting costs).

Costume[edit]

One of the tunics later appeared as the costume of a member of the Kryptonian science counsel in the first episode of The Adventures of Superman television show, filmed in 1951.[9] The lightning bolt on the tunic is partially concealed by means of an oversized collar around the actor's neck.
After the usage in Episode 1 of Superman, two Captain Marvel tunics were sported by actors in early episodes of the original U.S. version of the pioneering TV series Space Patrol. Very soon into the series, however, the Marvel tunics were replaced by shirts custom made for the series.
At The Science Fiction Museum and Hall of Fame in Seattle, Washington, one of the remaining Captain Marvel tunics has been on public display.[10]

Release[edit]

Theatrical[edit]

Adventures of Captain Marvel '​s official release date was March 28, 1941, although this is actually the date the sixth chapter was made available to film exchanges.[1] The serial was re-released on April 15, 1953 under the title Return of Captain Marvel, between the first runs of Jungle Drums of Africa and Canadian Mounties vs. Atomic Invaders.[1] Due to the 'nostalgia' craze in the spring of 1966 resulting from the hit Batman TV show, the serial was re-released as a 4-hour movie compiling all 12 chapters.

Home media[edit]

Republic Pictures released the serial as a two-tape VHS set in 1995. The serial was released on DVD in 2003.

Critical reception[edit]

Harmon and Glut claim that Adventures of Captain Marvel is "unquestionably one of the finest movie serials ever made, possible the best with the exception of the three Flash Gordon epics."[6] Cline describes this as one of the most outstanding of all serials[11] and Republic's "masterpiece."[7] He writes that Tyler's "striking performance...remains in thousands of minds as the most memorable serial hero of all time - bar none."[12]

Influence[edit]

The characters of Betty Wallace, Whitey Murphy, and John Malcolm all appeared in the Fawcett comics in the 1940s starting with "Capt. Marvel And The Temple Of Itzalotahui"‏ (Whiz Comics #22, Oct. 3, 1941) featuring Murphy and Malcolm;[13] Murphy made several appearances in the 1970s DC Comics incarnation of Captain Marvel.[14]
Fawcett also published a sequel to the film in 1941. Titled The Return of the Scorpion, it was one of the four releases in its Dime Action Books series which imitated the format of the popular Big Little Books. The book is notable for reusing several characters from the movie and for being Otto Binder's first writing assignment at Fawcett; he went on to being a prolific scripter for the company.
In 1994, comic book writer/artist Jerry Ordway wrote and painted a graphic novel, The Power of Shazam!, and an ongoing comic book series spin-off which ran from 1995 to 1999. Ordway used the Republic serial as his initial inspiration in his handling of the Captain Marvel characters.[15]

Chapters[edit]

  1. "Curse of the Scorpion" (30 min.)
  2. "The Guillotine" (16 min.)
  3. "Time Bomb" (17 min.)
  4. "Death Takes the Wheel" (16 min.)
  5. "The Scorpion Strikes" (16 min.)
  6. "Lens of Death" (16 min.)
  7. "Human Targets" (17 min.)
  8. "Boomerang" (17 min.)
  9. "Dead Man's Trap" (16 min.)
  10. "Doom Ship" (16 min.)
  11. "Valley of Death" (16 min.)
  12. "Captain Marvel's Secret" (16 min.)
Source:[1][16]

Friday, January 23, 2015

The Adventures of Captain Marvel, Chapter Eleven: Valley of Death is now posted on http://johnpirilloauthor.blogspot.com/


The Shasta Caper, Chapter Forty-Four is now posted on http://johnpirilloauthor.blogspot.com/



Chapter Forty-Four

Samuel, Jimbo and Nanny couldn't believe what they were seeing. The two giants were walking them right up to a big church like structure, but without a cross, instead sporting a huge symbol that looked like a Nazi symbol.

"I don't like this." Jimbo whispered to Samuel.

"It's okay. Going the wrong direction." Samuel warned Jimbo.

Nanny looked over. "Believe me, if these guys had been Nazis, we wouldn't be talking about Hitler in the past tense."

Jimbo relaxed.

Meagol looked back at him and smiled. "You upper Earthers have no idea of the power of our symbol, do you?"

Jimbo said nothing.

"I'll take that as a yes, then." Meagol said with a grin.

The path to the front doors was heavily laden with flowering rose bushes. The fragrance of the roses was so rich and pure, Samuel thought he had just walked into a perfume factory.

"How do you get these roses to be so fragrant?"

Darrell plucked a rose, then gave it to Nanny, who took it delightedly and wove it into her hair. She spun around. "Like it?"

Jimbo grinned.

"These flowers are special. They can sense love."

"Love?" Nanny asked, her eyes widening with curiosity.

"They are woven from the buds from above with a special essence that our Divine Brothers create during their meditations with the One."

"Oh God! More spiritual mumbo jumbo!" Jimbo hissed.

Darrell laughed. "Jimmy, you are probably one of the most spiritual people on your upper Earth and you talk like a man who doesn't believe in God."

"That's because I'm more of an in your face kind of guy. You put God in my face, then I'll believe Him."

Darrell shook his head, then gestured at the front doors of the building. They opened silently. 

"We must hurry now, they are ready for us."

The two giants entered first, leaving it up to Samuel, Nanny and Jimbo to follow on their own.
Jimbo looked at the brightly lit interior, so bright you couldn't see any details. "I hope they're not tricking us into going into some kind of tunnel of light."

Samuel bumped Jimbo. "Jimbo, you're not dead!"

"Sure feels like it sometimes. I still have a creak in my back from that horrible night on the cabin floor."

Nanny began rubbing his back.

Jimbo rolled his eyes with pleasure. "Man, you are blessed with the touch!"

Nanny gave him a hug from the back, then sprinted into the interior of the building.

Jimbo frowned. "Those women always get us into trouble, don't they, Sam."

"Usually you, not me."

Jimbo grinned. "Yeah. And you should thank God every day for all the troubles you're missing out 
on ."

Samuel patted his friend on the back. "Oh, I do. Believe me. I do."

Then he entered the lighted interior.

Jimbo stood there a moment, wondering if he had just been agreed with, or made fun of, then entered as well.

When Samuel entered the light, it felt as if every single cell in his body was being caressed by something so warm and gentle, that he almost felt as if he were a baby in his mother's arms again. For a brief moment he could see her face floating in the light, then it vanished, leaving him with a feeling of vast loneliness, and sadness, while at the same time feeling as if her love were surrounding him like a warm blanket.

When he looked back, Jimbo stood in the entrance, his huge frame shaking slightly. Tears were coming to his eyes. Samuel knew his friend had many feelings buried beneath that rugged exterior and didn't try to interfere with his friend's emotional moment.

"Is he okay?" Nanny asked from beside him.

"Are you?" Samuel asked, as he turned to look into her worried face.

"I don't know. It feels, somehow, as if we don't belong here, and yet as if we had been born here and should never have left."

"That's because these people are one with the One."

Nanny looked up into his eyes. "Like Jesus was."

"Is." Samuel corrected. "He never died...remember?"

"Oh. Right." 

Jimbo joined them, wiping at his eyes as he did. "Something in the air got into my eyes. So now what?"

Samuel turned back to look at the table of twelve seated to the back of the structure, in front of which Meagol and Darrell stood in two of the places. They turned to gesture at them.

"I think now what, is what next?" Samuel uttered, moving forward, taking in the view of the interior as he did.

The walls were made of some kind of substance that reflected light, and yet remained soft and pliant. A kind of living wood. The ceiling was very high and made of a similar substance, but it seemed to twitch every now and then, as if it were breathing.

There were benches on either side, just like in a church, but they weren't hard and uncomfortable like a church's might be. They weren't made to keep the visitor uncomfortable, but to help them relax and feel the love radiating around them. And the air was as thick with it as a watermelon is with water.
Meagol and Darrell gestured towards a bench that was before the table. It had comfortable and soft cushions placed on its surface. They sat down and the two giants did as well.

Then it was that Samuel could see the other ten seated. They were also giants, and about their heads were halos as bright as the sun. Only he could see them. He and Al and M, who were standing to his left and gazing at the giants with devotion.

The tallest of them, who also sat at the center of the table, rose and spread his arms wide. "Welcome to Agharta, Samuel. Jim. Nancy."

Jimbo looked over at Nanny and mouthed "Nancy."

She shook her head and mouthed. "Later."

Samuel stood up a moment and inclined his head. "We are honored to be here, Ancient One."

The tallest of them smiled broadly. "Your manners serve you well, mortal."

"And yours, you, honored Master."

The tallest one sat down.

Samuel looked to the others. "This is the man who began most of the legends of immortals."

Jimbo almost cried out in shock. "No!"

"Yup." Samuel said. "Methusaleh!"


Thursday, January 22, 2015

The Adventures of Captain Marvel, Chapter Ten: Dead Man's Trap is now posted at ImagineNation, http://johnpirilloauthor.blogspot.com/


 

It's hard to believe that so many years have gone by since I've seen this serial, but I still remember so much of it. It wrote an indelible mark on my imagination, which sticks to my brain and heart to this day.


As this serial comes to a close it is my fervent prayer that there can one day be more inspiring heroes like Captain Marvel and that we as individuals can allow ourselves to be the true heroes we're capable of being as well.

Enjoy!

--John--